Good Sunday Saves: Issue #2
Welcome to the second installation of Good Sunday Saves: our weekly edit of things worth reading, watching, listening to, and seeing.
This week’s themes? Nature, power, bias, and who gets protected.
READ
Bees just became the first insects in the world to receive legal rights. This Guardian piece illuminates how bees in the Peruvian Amazon are now legally protected, recognising their role in sustaining ecosystems and Indigenous-led stewardship. This sets a global precedent for how we protect nature.
If you’re a Traitors fan, this British Vogue article dissects the relationship between The Traitors and unconscious bias, a.k.a. how race, difference and snap judgement shape who is trusted, even “in a game”. (Related: this podcast episode where British-Asian comedian Phil Wang discusses racial bias in The Celebrity Traitors).
Bonus: ‘Dream Businesses: Live And Work On Your Own Terms’ by Courier Media featuring the incredible Filipino beachside coffee roaster, El Union, on the cover.
WATCH
‘Yellowface’ author Rebecca F Kuang’s interview on Channel 4 News discussing why America’s higher education system is broken, and sharing her perspective on why AI can never rival Shakespeare: “It’s rearranging information. It doesn’t create human experience.”
LISTEN
Five women warned us about AI and were dismissed. From algorithmic racism to facial recognition failures, the work of these global majority doctors and researchers explains why “neutral tech” is a myth. One important statistic: 99% of explicit deepfakes online target women and girls.
VISIT
This week, Nigeria is in focus.
Head to Camden Art Centre to see the first UK institutional solo show of artist and filmmaker Karimah Ashadu (@karimahashadu). The first UK institutional solo show by Karimah Ashadu, Silver Lion award-winning artist and filmmaker.
Through moving image and sculpture, Ashadu documents labour, masculinity, patriarchy, and socio-economic structures in Nigeria — from Lagos bodybuilders to abattoir workers and horse caretakers.
Nigerian Modernism at Tate Modern is a landmark exhibition tracing Nigerian artistic networks before and after independence in 1960. From Zaria to London, Lagos to Munich, this show explores how artists fused Nigerian, African, and European traditions during moments of cultural resistance and reinvention. On until May 2026.
See you next Sunday — in the meantime, sign up for updates, or head to our LinkedIn.
